YELLOWCARD “One For The Kids”
Lobster records doesn’t put out a whole lot of stuff, but when they do, it usually is of the highest quality, and YELLOWCARD keeps that tradition going strong. For the most part, these guys crank out seriously kicking melodic punk rock with strong emotional tendencies. Vocalist Ryan Key has one of those unique smooth voices that seems to be layered perfectly on top of a booming rhythm section, not too far from the likes of SAVES THE DAY. The music though is far more complex than the aforementioned band and of more substance as well. One thing that YELLOWCARD does that you don’t find too often (or ever) is use a violin in most of their songs as a complementary instrument in the same way a keyboard or piano would be implemented. It’s pretty cool. I was definitely hesitant at first to dig the violin, but on songs like “Drifting,” and “October Nights,” it allows the melodies to grow into more complete beings. My favorite track on here is clearly, “Rock Star Land,” about the band’s move from Florida to California, and if that son doesn’t get you humming that state’s name in the chorus, you need a better understanding of melody my friend! Lyrically, YELLOWCARD are masterful at expressing common themes through personal visions without sounding cheesy or shallow, especially on “Sureshot,” a tune about growing up and leaving home. This disc isn’t without its faults though, as two acoustic tracks clog up an otherwise swift pace. I don’t necessary mind the acoustic songs for what they are, but I feel that this disc would be relatively stronger without the interruptions in tempo. Another complaint is that the disc ends on somewhat of a lull – almost as if the band has taxed out all of their energy on the earlier songs. Anyhow, I still find myself eating this up, and the odds are, you’ll find it highly likable too. “One for the Kids,” was recorded and mixed at Stall #2 by Darian Rundall, and the quality truly shows. The guitars have a nice chunky, but fluid feel to them and the drums serve was as a backbone, not a driving force. The bass lines are bubbly and creative, all the makings of some good songwriting. The artwork is really sharp and colorful, something that will no doubt standout on a large shelf. This is definitely something that you’ll want to check it if you consider yourself a fan of the pop-punk.
Lobster
