THE GAMITS have been one of my favorite pop-punk bands for a handful of years now, and with each previous step that the band has taken, they have helped mature into a genuine “hook writing machine.” Principle songwriter, lead vocalist, and guitarist, Chris Fogal is working with an all new crew on “Antidote,” and the uptick in musicianship is immediately noticeable. In the past, THE GAMITS have shotgunned between stupifying double-time beats and slower, more sticky jams. “Antidote,” however, smooths out the band’s tempo-change affliction, and churns at a consistent middling pace that properly places emphasis back on the vocals. Fogal’s gentle, but distinct vocals still remind me of GREEN DAY’s Billie Joe, but it’s less prevalent than on prior releases (except when he enters a higher range), and his dark, cynical edge, strays closer to ALKALINE TRIO territory. Perhaps the greatest asset of THE GAMITS is that the band’s songs are like instant coffee when it comes to singing along. I think both of my ears perk up when I play “Antidote,” and the melodies on here block out nearly all outside noise. Although all eleven songs that comprise this festival of catchiness care to my soul, the larger standouts include “Curious Vanessa Black” (with glorious guest female vocals), “Open Window” (destined to stick in your head forever), and the classy, “Golden Sometimes.” Rounding out “Antidote” is a generous portion of enhanced content, including a video for the first single, “How To Escape,” and some very slick, delicious smelling matte paper artwork. I honestly cannot say enough good things about “Antidote” – witty, poignant, well-written pop-punk songs are a dying breed these days, and we must do all that we can to ensure that this genre does not disappear altogether. Offer THE GAMITS your ears, and surely, you won’t be disappointed.

Suburban Home

www.suburbanhomerecords.com